In 2003, the Japanese film Spirited Away (2001), by Hayao Miyazaki, became the first anime production to win the Academy Award as best animated feature film.
Credit: © Pictorial Press/Alamy Images

April 15 is National Anime Day, celebrating anime’s distinct style of animation that developed in Japan in the 1960’s. Anime is short for animeshiyon, the Japanese word for animation. Anime stories may be original or based on popular children’s tales. Many of the stories, as well as the overall look of anime, are taken from Japanese comic books called manga that became popular in the 1950’s. Anime has a flat look and features colorful images and heroic characters. The plots are often action-filled, with fantastic, futuristic, or political themes. Many anime characters have large, saucerlike eyes, small mouths, and wild hair. The characters often display exaggerated emotions.

An action figure display features the superhero Deku from the series My Hero Academia.
Credit: © Morumotto/Shutterstock

Anime television series and motion pictures are watched around the world. “My Hero Academia”  is a popular manga and anime series of the 2010’s and 2020’s. It was created by the Japanese artist Kohei Horikoshi. The series takes place in a world where most people have a unique inborn superpower that individuals can develop to become heroes. “Attack on Titan” is among the most popular manga and anime series of the 2010’s. It is an action and fantasy series set in a world where humanity has been pushed to the brink of extinction by the mysterious Titans. The Titans are giant, humanoid monsters that attack and eat humans on sight.

A life-sized model of a Titan greets visitors to a Japanese theme park attraction based on the series Attack on Titan.
Credit: © MR. AEKALAK CHIAMCHAROEN/Shutterstock

Other popular anime TV series include “Dragon Ball” (1986-1989) by manga artist and writer Akira Toriyama, “Pokémon” (1997-2002), “Cowboy Bebop” (1998-1999), “Naruto” (2002-2007), and “Fullmetal Alchemist” (2003-2004). Notable anime feature films include Akira, Grave of the Fireflies, and My Neighbor Totoro (all 1988); Ninja Scroll (1993); Princess Mononoke (1997); Ponyo (2008); The Secret World of Arrietty (2010); and The Wind Rises (2013). In 2003, the Japanese film Spirited Away (2001), by Hayao Miyazaki, became the first anime production to win the Academy Award as best animated feature film.

The character Goku in the anime series “Dragon Ball Z”
Credit: © Fuji TV

There are many types of anime, including action, adventure, comedy, romance, science fiction, fantasy, and the supernatural. Shonen anime features action or adventure and is targeted toward adolescent boys. Shojo anime features character development and romance and is targeted toward adolescent girls. Mecha anime features giant robots with human traits. Some types of anime have more adult themes, often involving violence or sexual material. Anime may be subtitled or dubbed in other languages for release in countries outside of Japan.

Manga comics surged in popularity in Japan in the mid-1900′s. The “Naruto” (1994-2014) series by Masashi Kishimoto became one of the top-selling manga series of all time. It is about the adventures of a mischievous young ninja.
Credit: © Masashi Kishimoto, Shueisha Inc.

The Japanese animator and cartoonist Osamu Tezuka was a pioneer of manga and anime. He was greatly influenced by the animation of the American motion-picture producer Walt Disney. Tezuka created a number of popular manga series in the 1950’s that later became popular anime TV series. These include the TV series “Astro Boy” (1963-1966) and “Kimba the White Lion” (1965-1967). Anime often appears jerky because it typically uses fewer drawings than the animation of such major studios as Walt Disney and Warner Bros. Animated cartoons often appeal to children, but anime can be enjoyed by adults as well as younger viewers around the world.

Former United States President Barack Obama and First Lady Michelle Obama (both center) pose next to their portraits at their unveiling at the Smithsonian’s National Portrait Gallery in Washington, D.C., in 2018. Barack’s portrait was painted by Kehinde Wiley (far left). Michelle’s was painted by Amy Sherald (far right).
Credit: © Saul Loeb, AFP/Getty Images

February is Black History Month, an annual observance of the achievements and culture of Black Americans. This month, Behind the Headlines will feature Black pioneers in a variety of areas. 

Until recently, tracksuits, flatbill hats, jeans, Nike T-shirts, and puffer jackets did not appear in many portraits in museums. Now in the National Portrait Gallery and galleries across the world, American painter Kehinde Wiley has livened up modern-day portraits. Wiley is known for his large, highly detailed, brightly colored portraits. His style has been called urban Baroque, a reference to the Baroque art movement of the 1500′s and 1600′s. Baroque art is large in scale and filled with dramatic details.

In 2017, Wiley was selected to paint the presidential portrait of former United States President Barack Obama. Wiley became the first Black American artist to paint an official presidential portrait. Wiley’s portrait of Obama was unveiled in 2018. It hangs in the National Portrait Gallery in Washington, D.C.

Wiley was born on Feb. 28, 1977, in Los Angeles, California. He was interested in painting from a young age. Wiley received a Bachelor of Fine Arts degree from the San Francisco Art Institute in 1999. He received a Master of Fine Arts degree from Yale University in New Haven, Connecticut, in 2001.

Wiley served as artist-in-residence at the Studio Museum in Harlem in New York City from 2001 to 2002. It was in Harlem that Wiley developed his unique approach to portraiture. He approached strangers on the street, asking them to pose for him. He photographed the subjects in their street clothes and then painted them in a classical European style. He called this process “street casting.” Wiley continued this process in such places as Morocco, Haiti, and India. Wiley’s signature background depicts flowers and foliage or abstract shapes. The bright, detailed backgrounds are reminiscent of the Baroque style.

Sculptor Augusta Savage
Credit: National Archives

February is Black History Month, an annual observance of the achievements and culture of Black Americans. This month, Behind the Headlines will feature Black pioneers in a variety of areas. 

The Harlem Renaissance was a movement in Black American literature and arts during the 1920’s and early 1930’s, when writers and artists tried to explore Black life in the United States in a fresh way. This artistic “renaissance,” which means rebirth, was set in Harlem, an area in New York City that was the center of Black American cultural life during the period. Writers like Langston Hughes and Zora Neale Hurston built on Black American folk culture and addressed such themes as politics, gender, and heritage. Jazz musicians Louis Armstrong and Duke Ellington transformed music. One sculptor of the Harlem Renaissance who cast the reality of the Black experience into sculptures was Augusta Savage.

Augusta Savage was a Black American sculptor and influential art teacher. Savage typically worked in plaster, creating sculptures meant to be cast in bronze. However, Savage could not afford bronze. As a result, most of her sculptures went uncast, and the plaster originals have been destroyed or damaged. Savage’s talent has been recognized after her death, but most of her artwork remains missing.

Savage’s sculptures take their subjects from the Black American experience. Her most successful work was The Harp (Lift Every Voice and Sing), a tribute to the musical contributions of Black Americans. The Harp was a 16-foot (5-meter) tall painted plaster statue. Twelve singers stand in for the strings of the harp, with a man kneeling in front holding sheet music. The base of the harp, supporting the strings, was a large arm and hand. The sculpture was commissioned for and displayed at the 1939 New York World’s Fair.

Augusta Christine Fells was born Feb. 29, 1892, in Green Cove Springs, Florida, near Jacksonville. Her father, a Methodist minister, disapproved of her early creativity in art. The principal at her high school, in West Palm Beach, recognized Savage’s talent and asked her to teach a clay modeling class. She married James Savage in 1915, but they soon divorced. After winning an award at the West Palm Beach County Fair in 1919, Savage moved to New York City.

Savage was accepted into many renowned art programs and schools, but her lifelong struggle with poverty kept her from many opportunities. She worked at a steam laundry, an industrial laundromat, to provide for her family. Savage received a scholarship to the Cooper Union School of Art in New York City and graduated from the four-year program in three years. She was accepted to the Fontainebleau School of Fine Arts in France. However, her acceptance was rescinded (taken back) when the committee found out she was Black.

Savage was commissioned by New York City’s Harlem Library to make busts of W. E. B. Du Bois, the American sociologist and civil rights activist, and other notable civil rights leaders. In 1929, Savage was given funds and awarded a fellowship to study in France. There, Savage exhibited her work at the Grand Palais. In 1934, Savage became the first Black American elected to the National Association of Woman Painters and Sculptors. She started her own studio, where she gave free art classes. Savage died of cancer on March 26, 1962.

April 6, 2020

Today, April 6, marks 500 years since the death of the Italian painter Raphael in 1520. Raphael was one of the greatest and most influential painters of the Italian Renaissance. His graceful figures and skillful compositions influenced artists up to the early 1900′s. The period of his activity is called the High Renaissance. Raphael painted altarpieces, frescoes (paintings on damp plaster) of historical and mythological scenes, and portraits. His most popular works include his gentle paintings of the Madonna and Child. Raphael was also an architect. From 1514 until his death, he directed the construction of St. Peter’s Basilica in Rome.

Raphael’s School of Athens shows a gathering of ancient Greek philosophers and scientists in a Roman architectural setting. Standing in the center are Plato, left, and Aristotle, right. The harmony and balance of the composition are typical of the revival of classicism in the period called the High Renaissance. Credit: Fresco (1510-1511); The Vatican, Rome (The Art Archive)

To mark the quincentenary (500th anniversary) of Raphael’s death, the National Portrait Gallery at the Smithsonian Institution in Washington, D.C., is running an exhibition called “Raphael and His Circle” from February 16 through June 14. (Unfortunately, all museums at the Smithsonian Institution were closed temporarily beginning in March because of the COVID-19 pandemic.) The exhibition includes 26 prints and drawings by Raphael’s contemporaries—his “circle”—as well as four drawings by the master himself. In Italy, the Galleria Nazionale delle Marche ran a Raphael exhibition in the artist’s hometown of Urbino from October 2019 to January 2020. Other Raphael tributes are taking place at the Scuderie del Quirinale in Rome, the Veneranda Biblioteca Ambrosiana in Milan, and at the National Gallery and the Victoria and Albert Museum in London.

The Prophets Hosea and Jonah by Raphael. Credit: The Prophets Hosea and Jonah (1510), pen and brown ink with brown wash over black chalk, heightened with white and squared for transfer on laid paper by Raphael; National Gallery of Art

Raphael was born in Urbino on March 28 or April 6, 1483. His real name was Raffaello Sanzio. His father served as court painter to the Duke of Urbino. About 1494, Raphael went to Perugia to study with Perugino, an important painter. Perugino introduced Raphael to the latest ideas in Italian art and greatly influenced his student’s style.

Raphael settled in Florence in 1504. In Florence, Raphael studied the paintings of the great Italian artist Leonardo da Vinci. Leonardo da Vinci’s balanced compositions and idealized figures had a strong influence on all Renaissance painters, including Raphael.

Late in 1508, Pope Julius II asked Raphael to work for him in Rome. Julius wanted to rebuild and redecorate Rome to reflect its ancient glory. He gathered together the most illustrious architects, painters, and sculptors from all parts of Italy. Raphael created his finest work while in the service of Julius and his successor, Pope Leo X. With the assistance of a large workshop, Raphael produced religious paintings, tapestry designs, palace decorations, and portraits. He died in Rome at age 37 on April 6, 1520, after a short illness.

March 2, 2020

Yesterday, March 1, an exhibition on the French impressionist painter Edgar Degas opened at the National Gallery of Art (NGA) in Washington, D.C. The exhibition, called “Degas at the Opéra,” celebrates the artists’ many works set in the Paris Opéra. The exhibition includes about 100 of the artist’s most famous paintings, pastels, drawings, prints, and sculptures. “Degas at the Opéra” runs until July 5. Prior to its run at the NGA, the exhibition had been at the Musée d’Orsay in Paris since September 2019, shortly after the Opéra celebrated the 350th anniversary of its founding in 1669.

The Dancing Class by Edgar Degas
credit: The Dance Class 1874 by Edgar Degas. Oil on canvas/The Granger Collection

Like the other impressionists, Degas portrayed situations from modern life. However, he did not share his fellow impressionists’ concentration on light and color. Degas emphasized composition, drawing, and form more than did the other members of the movement. He is best known for his paintings of people in both public and unguarded private moments. He showed his figures in awkward or informal positions to free himself from what he felt were outmoded styles of portraying the human body. But, he composed his pictures carefully both for formal balance and to indicate the social interaction of his figures.

Hilaire Germain Edgar Degas was born on July 19, 1834, in Paris, of wealthy parents. From 1854 to 1859, he spent much time in Italy studying the great Renaissance painters to perfect his draftsmanship and style. Degas intended to become a painter of historical scenes, but he abandoned this career because he felt a need to paint modern subjects. Probably under the influence of the painters Gustave Courbet and Édouard Manet, Degas began to paint scenes from everyday life. He especially enjoyed painting pictures of race-track and theatrical life. Degas painted many pictures in oil, but he also excelled in pastel. In addition, he was a fine sculptor and made many clay or wax figurines. Degas died on Sept. 27, 1917.

January 3, 2020

Yesterday, January 2, was the 100th anniversary of the birth of the American author Isaac Asimov in 1920. Asimov wrote about 400 books for young people and adults, mostly nonfiction emphasizing science and technology. However, he became best known for his science fiction.

The author Isaac Asimov was born 100 years ago on Jan. 2, 1920. Credit: © Everett Collection/Alamy Images

Many of Asimov’s short stories and novels feature robots as characters. Several were collected in I, Robot (1950). His popular Foundation series of science-fiction novels includes Foundation (1951), Foundation and Empire (1952), Second Foundation (1953), Foundation’s Edge (1982), Foundation and Earth (1986), Prelude to Foundation (1988), and Forward the Foundation (published in 1993, after his death). He also wrote Fantastic Voyage (1966) and The Gods Themselves (1972).

Asimov’s nonfiction is notable for making complicated material understandable to the general reader. These works include Asimov’s New Guide to Science (1984). Asimov also wrote on such topics as history, humor, William Shakespeare, and the Bible. He wrote two volumes of autobiography, In Memory Yet Green (1979) and In Joy Still Felt (1980).

Asimov was born on Jan. 2, 1920, in Petrovichi, Russia, near Smolensk. When he was 3 years old, his family moved to New York City. Asimov became a United States citizen in 1928. He taught biochemistry at Boston University from 1949 to 1958 before becoming a full-time writer. He died on April 6, 1992.

December 2, 2019

Tomorrow, December 3, marks 100 years since the death of the celebrated French artist Pierre Auguste Renoir in 1919. Renoir, an Impressionist painter, was famous for his pictures of young girls and children and intimate portraits of French middle-class life. He loved to show lively groups in sensuous surroundings. He often used his friends as models and frequently painted his wife and children.

The French artist Pierre Auguste Renoir died 100 years ago on Dec. 3, 1919. Credit: National Library of France

Art museums around the world highlighted their collections of Renoir works to mark the centenary of the artist’s death. In the United States, a special exhibit, “Renoir: the Body, the Senses,” was held at the Clark Art Institute in Massachusetts during the summer. The exhibit then moved to the Kimbell Art Museum in Texas, where it is showing until January 2020.

Madame Georges Charpentier and her Children by Pierre Auguste Renoir. Credit: Madame Georges Charpentier and her Children (1878), oil on canvas by Auguste Renoir; Metropolitan Museum of Art

In the 1870′s, Renoir and Claude Monet together developed the broken color technique of the Impressionists. Instead of mixing paints completely, they left small dabs of color in a sketchy manner. But Renoir was more interested in rich color effects and a sense of volume than Monet. Renoir also preferred figure painting to landscapes. During the 1870′s, he painted a large number of portraits on commission. Perhaps his most famous is Mme. Charpentier and Her Children. Many Impressionists brought Japanese qualities into their work. However, Renoir revived the rococo style of such artists as Francois Boucher and Jean Honore Fragonard.

The Swing, an Impressionist painting by Renoir, shows the effects of sunlight on figures set against an outdoor background. Credit: Oil painting on canvas (1876), Musee d’Orsay, Paris; Giraudon/Art Resource

Renoir visited Italy in 1881 and 1882. His study of Renaissance painters there led him to a new appreciation of the importance of line. He returned to France, where he gave up his broad, coloristic manner and spent several years concentrating on drawing. Renoir painted a famous series, The Bathers, during this time.

The happy quality of Renoir’s later work does not show the agony he suffered from arthritis, which finally crippled his hands. He had brushes tied to his hands and developed a final style of painting in broad brush strokes and vivid colors.

Renoir was born in Limoges, France, on Feb. 25, 1841. He was apprenticed to learn porcelain painting after he showed an early talent for drawing. He painted window shades and fans in Paris. He studied at Charles Gleyre’s studio. There, he met Monet and other young painters who were to form the Impressionist group. He was influenced also by Édouard Manet and the color methods of Eugene Delacroix. Renoir’s three sons were also artists, the most famous of whom was the film director Jean Renoir.

November 20, 2019

Yesterday, on November 19, the Prado Museum in Madrid, Spain, marked the 200th anniversary of its founding in 1819. Originally called the Royal Museum of Paintings and Sculptures, the museum later became the Museo Nacional del Prado (National Museum of the Prado), and grew into one of the world’s most celebrated art museums. The word prado means meadow in Spanish. Both the museum and Madrid’s Paseo del Prado boulevard are built on land that was once a meadow. The museum’s exhibits of Spanish paintings include many works by El Greco and Francisco Goya. The museum also displays paintings by the Spanish painter Diego Velázquez, including his masterpiece Las Meninas.

The Prado Museum in Madrid, Spain, opened 200 years ago in November 1819. Credit: © Anibal Trejo, Shutterstock

To mark the Prado’s 200th anniversary, the museum ran a special exhibition called “A Place of Memory” in the first 10 months of 2019. The exhibition showed how the museum changed but survived the often turbulent events of Spanish history, including the fall of Spain’s colonial empire, the Spanish Civil War, the dictatorship of Francisco Franco, and the country’s ultimate transition to democracy. The traveling exhibit “De gira por España” (On Tour in Spain) took many of the Prado’s precious works to museums throughout the country as part of the bicentenary celebration in 2019. At the same time, the exhibition “El Prado en las calles” (The Prado in the Streets) displayed the museum’s works in public spaces in the Philippines and in several cities in the Americas.

Las Meninas, a portrait of the Spanish royal family by Diego Velázquez, is one of the Prado’s most famous works. The artist united real and pictorial space by having the young princess look casually out of the composition, presumably toward her parents, who stand in the same position as the viewer. The painter shown at left is Velázquez himself. Credit: The Prado, Madrid, Spain (Erich Lessing, Art Resource)

Construction on the building that houses the Prado began in 1785. It was originally a museum of natural sciences. King Ferdinand VII of Spain converted it into the Royal Museum of Paintings and Sculptures. The museum’s initial collection contained more than 300 works by Spanish artists. The museum has been known as the Prado since 1868. The Prado’s collection has grown in size and variety over time, particularly after taking in works from the closure of two other museums—the Museo de la Trinidad, in 1872, and the Museo de Arte Moderno (Museum of Modern Art), in 1971. Extensions and renovations have greatly expanded and improved the Prado Museum’s space.

The Prado’s collection centers on European masterworks of the 1500’s through the 1800’s, but it also includes many ancient and modern works. In addition to paintings, the collection includes decorative arts, drawings, photographs, prints, and sculptures, as well as a large archive and library. Together with the nearby Reina Sofía and Thyssen-Bornemisza museums, the Prado forms Madrid’s “Golden Triangle of Art.”

August 2, 2019

Yesterday, August 1, was the 200th anniversary of the birth of the celebrated United States author Herman Melville, in 1819. Melville ranks among the major authors of American literature. He wrote Moby-Dick, one of the world’s great novels, and his reputation rests largely on this book. But many of his other works are literary creations of a high order—blending fact, fiction, adventure, and symbolism. Melville’s vast personal experience in faraway places was remarkable even in the footloose and exploratory world of the 1800′s. Melville brought to his extraordinary adventures a vivid imagination and a philosophical skepticism, as well as a remarkable skill in handling the evolving American language. Melville was born in New York City. He died there, too, on Sept. 28, 1891.

Herman Melville was born 200 years ago on Aug. 1, 1819. Credit: Library of Congress

A number of events are marking Melville’s 200th birthday anniversary in 2019. In June, the Melville Society hosted a commemorative conference called “Melville’s Origins” at New York University. In Pittsfield, Massachusetts, the Berkshire Historical Society is celebrating “Melville at 200” August 1 to 4 with the unveiling of a memorial plaque, a marathon reading of Moby-Dick, and events at Melville’s farm, Arrowhead (where Melville wrote Moby-Dick and other works). In Philadelphia, The Rosenbach museum’s exhibition “American Voyager: Herman Melville at 200” will display the author’s manuscripts, first editions, and whaling artifacts from October 2 through April 5, 2020.

This illustration from an early edition of Moby-Dick depicts the fearsome white whale. Credit: Public Domain

Melville lived his first 11 years in New York City. In 1831, his family moved to Albany, New York. Melville worked a variety of jobs before sailing to Liverpool, England, in 1837 as a cabin boy on a merchant ship. He described this trip in his novel Redburn. Melville returned to America and signed on as a seaman on the newly built whaling ship Acushnet for a trip in the Pacific Ocean. From this trip came the basic experiences recorded in several of his books, and above all, the whaling knowledge he put into Moby-Dick.

Melville sailed from New Bedford, Massachusetts, on Jan. 3, 1841. He stayed on the Acushnet for 18 months. After the ship put in at Nuka Hiva in the Marquesas Islands, he and a shipmate deserted. The two men headed inland until they came to the lovely valley of the Typees, a Polynesian tribe with a reputation as fierce cannibals. But the natives turned out to be gentle, charming hosts. Melville described his experiences with them in Typee.

Melville lived in the valley for about a month. He then joined another whaling ship, but he soon deserted it with other sailors in a semimutiny at Tahiti. After a few days in a local jail, Melville and a new friend began roaming the beautiful and unspoiled islands of Tahiti and Moorea. Melville described his life during these wanderings in the novel Omoo.

After short service on a third whaling ship, Melville landed at Hawaii, where he lived doing odd jobs. On Aug. 17, 1843, he enlisted as a seaman on the U.S. Navy frigate United States. He recounted his long voyage around Cape Horn in the novel White-Jacket. Melville arrived in Boston in October 1844. He was released from the Navy and headed home to Albany, his imagination overflowing with his adventures.

Melville wrote about his experiences so attractively that he soon became one of the most popular writers of his time. The books that made his reputation were Typee (1846); Omoo (1847); Mardi (1849), a complex allegorical romance set in the South Seas; Redburn (1849); and White-Jacket (1850).

Melville then began Moby-Dick, another “whaling voyage,” as he called it, similar to his successful travel books. He had almost completed the book when he met fellow author Nathaniel Hawthorne. Hawthorne inspired him to radically revise the whaling documentary into a novel of both universal significance and literary complexity.

Moby-Dick; or The Whale (1851), on one level, is the story of the hunt for Moby Dick, a fierce white whale supposedly known to sailors of Melville’s time. Captain Ahab is the captain of the whaling ship Pequod. He has lost a leg in an earlier battle with Moby Dick, and he is determined to catch the whale. The novel brilliantly describes the dangerous and often violent life on a whaling ship, and it includes information on the whaling industry and a discussion of the nature of whales. On another level, Moby-Dick is a deeply symbolic story. The whale symbolizes the mysterious and complex force of the universe, and Captain Ahab represents the heroic struggle against the limiting and crippling constrictions that confront an intelligent person.

Melville’s popularity began to decline with the publication of his masterpiece. The novel, either ignored or misunderstood by critics and readers, damaged Melville’s reputation as a writer. When Melville followed Moby-Dick with the pessimistic and tragic novel Pierre (1853), his readers began to desert him, calling him either eccentric or mad. The public was ready to accept unusual and exciting adventures, but they did not want ironic, frightening exposures of the terrible double meanings in life.

Melville turned to writing short stories. Two of them, “Benito Cereno” and “Bartleby the Scrivener,” rank as classics. But the haunting and disturbing question of the meaning of life that hovered over the stories also displeased the public. In 1855, Melville published Israel Potter, a novel set during the American Revolution (1775-1783). After The Confidence-Man (1856), a bitter satire on humanity, Melville gave up writing.

Melville worked as deputy inspector of customs in the Port of New York from 1866 until his retirement in 1885. He then began writing again. He died in 1891, leaving behind the manuscript of Billy Budd, Sailor. This short novel, first published in 1924 and considered Melville’s finest book after Moby-Dick, is a symbolic story about the clash between innocence and evil and between social forms and individual liberty.

The 1920′s marked the start of a Melville revival among critics and readers. By the 1940′s, Americans at last recognized his literary genius. His reputation has since spread throughout the world and continued to grow.

July 8, 2019

Since prehistoric times, people have depicted animals in their artwork. Ancient paintings and drawings of horses, oxen, and other animals appear on the ceilings, walls, and entrances of caves and rock shelters around the world. In more modern times, animals have continued to be a source of artistic inspiration. Many cultures have shown animals in artistic representations of rural life, as livestock, prey, or pets, or to illustrate legends and myths. Many cultures, too, include animals in art simply for their beauty or for their intimate connections with humans. At the National Gallery of Art in Washington, D.C., a new exhibition is detailing “The Life of Animals in Japanese Art.”

These wooden sacred foxes are part of the “Life of Animals in Japanese Art” exhibition at the National Gallery of Art in Washington, D.C. Credit: Sacred Foxes (Nanbokuch periods, 14th century), wood with pigments by unknown artist; National Gallery of Art

The Life of Animals in Japanese Art is the first exhibition devoted solely to animals at the National Gallery of Art. The exhibition shows animals—some real, some imaginary, some sacred, some merely beloved—in a wide variety of artistic mediums. The more than 300 works in block prints, ceramics, decorative arts, lacquerware, paintings, sculptures, and textiles span from the A.D. 400′s to the present day. The artworks—including seven designated as “Important Cultural Property” by the Japanese government—come from public and private collections in both Japan and the United States. The exhibition began on June 2, 2019, and runs through August 18.

These 1,000-year-old sacred monkeys are included in the “Life of Animals in Japanese Art” exhibition. Credit: Pair of Sacred Monkeys (Heian period, 11th century), wood with traces of pigment by unknown artist; Los Angeles County Museum of Art/National Gallery of Art

The sprawling exhibit occupies 18,000 square feet (1,700 square meters) of the National Gallery of Art’s East Building Concourse, and it is divided into various themed sections. The credited artists (many older works are unattributed) include the Zen Buddhist monk Sesson Shūkei (1504-1589), the painter Itō Jakuchū (1716-1800), and the painter and woodblock printer Katsushika Hokusai (1760-1849). Such modern artists as Kusama Yayoi (1929-…), the clothing designer Issey Miyake (1938-…), and the painter and sculptor Murakami Takashi (1960-…) are also represented.

The Life of Animals in Japanese Art is part of a series of events included in Japan 2019, an initiative to promote Japanese culture in the United States. Earlier Japanese art exhibitions took place at the Metropolitan Museum of Art in New York City and the Cleveland Museum of Art. The animal art exhibition will move to the Los Angeles County Museum of Art in September, and a number of Japan-themed concerts, festivals, and performances are taking place in the United States throughout 2019.