Former United States President Barack Obama and First Lady Michelle Obama (both center) pose next to their portraits at their unveiling at the Smithsonian’s National Portrait Gallery in Washington, D.C., in 2018. Barack’s portrait was painted by Kehinde Wiley (far left). Michelle’s was painted by Amy Sherald (far right).
Credit: © Saul Loeb, AFP/Getty Images

February is Black History Month, an annual observance of the achievements and culture of Black Americans. This month, Behind the Headlines will feature Black pioneers in a variety of areas. 

Until recently, tracksuits, flatbill hats, jeans, Nike T-shirts, and puffer jackets did not appear in many portraits in museums. Now in the National Portrait Gallery and galleries across the world, American painter Kehinde Wiley has livened up modern-day portraits. Wiley is known for his large, highly detailed, brightly colored portraits. His style has been called urban Baroque, a reference to the Baroque art movement of the 1500′s and 1600′s. Baroque art is large in scale and filled with dramatic details.

In 2017, Wiley was selected to paint the presidential portrait of former United States President Barack Obama. Wiley became the first Black American artist to paint an official presidential portrait. Wiley’s portrait of Obama was unveiled in 2018. It hangs in the National Portrait Gallery in Washington, D.C.

Wiley was born on Feb. 28, 1977, in Los Angeles, California. He was interested in painting from a young age. Wiley received a Bachelor of Fine Arts degree from the San Francisco Art Institute in 1999. He received a Master of Fine Arts degree from Yale University in New Haven, Connecticut, in 2001.

Wiley served as artist-in-residence at the Studio Museum in Harlem in New York City from 2001 to 2002. It was in Harlem that Wiley developed his unique approach to portraiture. He approached strangers on the street, asking them to pose for him. He photographed the subjects in their street clothes and then painted them in a classical European style. He called this process “street casting.” Wiley continued this process in such places as Morocco, Haiti, and India. Wiley’s signature background depicts flowers and foliage or abstract shapes. The bright, detailed backgrounds are reminiscent of the Baroque style.

Former United States President Barack Obama and First Lady Michelle Obama (both center) pose next to their portraits at their unveiling at the Smithsonian’s National Portrait Gallery in Washington, D.C., in 2018. Barack’s portrait was painted by Kehinde Wiley (far left). Michelle’s was painted by Amy Sherald (far right).
Credit: © Saul Loeb, AFP/Getty Images

Today, World Book celebrates two African American artists who gained wider fame when they were chosen to paint official portraits of President Barack Obama and First Lady Michelle Obama. Kehinde Wiley painted the portrait of Barack Obama. Amy Sherald painted the portrait of Michelle. Both portraits now hang in the Smithsonian Institution‘s National Portrait Gallery.

Credit: President Barack Obama (2018); oil on canvas by Kehinde Wiley; National Portrait Gallery, Smithsonian Institution (© Kehinde Wiley)

Kehinde Wiley is known for his large, brightly colored portraits. His style has been called urban Baroque, a reference to the Baroque art movement of the 1500’s and 1600’s. Baroque art is large in scale and filled with dramatic details. Wiley became the first African American artist to paint an official presidential portrait.

Wiley served as artist-in-residence at the Studio Museum in Harlem in New York City from 2001 to 2002. It was in Harlem that Wiley developed his unique approach to portraiture. He approached strangers on the street, asking them to pose for him. He photographed the subjects in their street clothes and then painted them in a classical European style. Wiley continued this process in such places as Morocco, Haiti, and India. Wiley’s signature background depicts flowers and foliage or abstract shapes. The bright, detailed backgrounds are reminiscent of the Baroque style.

Credit: First Lady Michelle Obama (2018), oil on linen by Amy Sherald; National Portrait Gallery, Smithsonian Institution (© Amy Sherald)

Amy Sherald is also known for her paintings of African Americans, particularly for her use of grayscale in these paintings. Grayscale images consist exclusively of shades of gray. Sherald’s use of grayscale undercuts traditional notions about skin tone. Her paintings also feature bright accent colors and graphic patterns.

Sherald began specializing in painting African Americans during her graduate studies at the Maryland Institute College of Art in Baltimore. She believed that African American subjects had been underrepresented in the art world. In 2016, Sherald won first prize in the Outwin Boochever Portrait Competition.

August 16, 2018

In 2018, the National Portrait Gallery at the Smithsonian Institution in Washington, D.C., is celebrating the 50th anniversary of its founding in 1968. The National Portrait Gallery exhibits likenesses of people who have contributed significantly to the history, development, and culture of the United States. As part of its 50th anniversary program, the museum updated and relaunched its celebrated collection of presidential portraits in late 2017. The collection kicked off 2018 with the February unveiling of its two newest works: portraits of former President Barack Obama and First Lady Michelle Obama.

The National Portrait Gallery unveiled its new painting of President Barack Obama on Feb. 12, 2018. Credit: Barack Obama (2018), oil on canvas by Kehinde Wiley; Smithsonian Institution

The National Portrait Gallery has the only complete collection of U.S. presidential portraits outside the White House. The gallery’s revamped collection, called “America’s Presidents,” differs from the White House’s, offering alternate versions of portraits and presenting them in a much grander style. It is not all just paintings, either. Bas-reliefs, busts, coins, death masks, hand casts, photographs, sketches, videos, and newspaper articles accompany the portraits, offering multiple and sometimes tactile bridges between art, history, and reality. The presidential exhibition’s thorough modernization includes improved lighting, new labels and wall texts, and the addition of interactive touch screens allowing visitors to explore the context of each president’s time in office.

Gilbert Stuart’s full-length portrait of George Washington welcomes visitors to the America’s Presidents exhibition at the National Portrait Gallery. Credit: George Washington (Lansdowne portrait) (1796), oil on canvas by Gilbert Stuart; Smithsonian Institution

America’s Presidents showcases the first 44 presidents, starting with Gilbert Stuart’s full-length “Lansdowne” portrait of George Washington. Recently restored for the exhibition’s relaunch, Washington’s portrait stands tall at the entrance, beckoning people within. Stuart’s famous unfinished “Atheneum” portraits of Washington and his wife, the first First Lady Martha Custis Washington, flank the Lansdowne painting to each side. 

This portrait of Abraham Lincoln shows him as he looked in 1860. Credit: Abraham Lincoln (1887), oil on canvas by George Peter Alexander Healy; Smithsonian Institution

Inside, visitors experience a walking timeline of U.S. history, passing from president to president as if they were there to shake your hand and personally tell you the glories and trials of their administrations. The exhibition is divided into chronological sections: 1789-1827: Building the Presidency; 1828-1860: Democracy and Expansion; 1861-1900: The Crisis of the Union; 1901-1932: Social Reform; 1933-1989: Negotiating World Peace; and 1990-2017: Contemporary Presidency.

This unique portrait of Franklin Delano Roosevelt is part of the “1933-1989: Negotiating World Peace” section of the America’s Presidents exhibition. Credit: Franklin Delano Roosevelt (1945), oil on canvas by Douglas Chandor; Smithsonian Institution

Not every president gets equal time, however. Six presidents are given extra attention because of their significant impact on the office: George Washington, Andrew Jackson, Abraham Lincoln, Theodore Roosevelt, Franklin D. Roosevelt, and Ronald Reagan.

This portrait is one of three of President Ronald Reagan included in America’s Presidents. Credit: Ronald Reagan (1991), oil on canvas by Everett Raymond Kinstler; Smithsonian Institution

June 19, 2018

Last week, on June 15, a special exhibit called “Daguerreotypes: Five Decades of Collecting” opened at the Smithsonian Institution’s National Portrait Gallery in Washington, D.C. Daguerreotypes were the first practical, popular method of photography. The word daguerreotype also refers to the photographs produced by this process. The National Portrait Gallery’s daguerreotype exhibit runs until June 2, 2019, and is part of a 50th anniversary program celebrating the museum’s opening in 1968. The National Portrait Gallery exhibits likenesses of people who have contributed significantly to the history, development, and culture of the United States.

This daguerreotype of Chester Arthur was made while he was a partner in a New York City law firm in 1858, 23 years before he became president of the United States. Credit: National Portrait Gallery, Smithsonian Institution

Daguerreotypes are named for Louis J. M. Daguerre, a French stage designer and painter who perfected the photographic process in 1837. Daguerre’s process involved treating a thin sheet of silver-plated copper with fumes from crystals of iodine to make the silver plating sensitive to light. The sheet was then placed inside a camera and exposed to light through the camera lens for 5 to 40 minutes. After the sheet was removed from the camera, it was developed by vapors from heated mercury. The mercury combined with the silver at the points where it had been affected by light, and formed a highly detailed image. The image was then fixed (made permanent) by treating the sheet with sodium thiosulfate.

This daguerreotype of Thomas Jackson was made while he was a faculty member at the Virginia Military Institute in 1855, six years before he gained the nickname “Stonewall” at the First Battle of Bull Run early in the American Civil War (1861-1865). Credit: National Portrait Gallery, Smithsonian Institution

Daguerre first published a description of his process in 1839. The process was soon improved by other inventors. By 1841, for example, the exposure time for the photographs had been reduced to less than a minute. Daguerreotype portraits were tremendously popular during the 1840′s and 1850′s, especially in the United States. The daguerreotype was eventually replaced by other processes. People now collect daguerreotypes of particular beauty or unusual subject matter.

The National Portrait Gallery’s daguerreotype collection includes the portraits above of Chester Arthur and Stonewall Jackson, as well as such iconic 1800′s figures as showman P. T. Barnum, activist and reformer Dorothea Dix, and author Harriet Beecher Stowe.